It is definitely not a film to shy away from. Both Alma and Elisabeth fight against the roles society attributes to them the former literally refuses to speak, while the latter gains an underlying sexual attraction toward the former, empowering her from her dependence on men.Įspecially during a time when movements like Time’s Up and #MeToo trickle into the media and the need for empowering women becomes front and center in the world of entertainment, Persona is worth revisiting. He gives women the ability to explore their existence and their genders without necessarily being dependent on a male character. Director Tim Travers Hawkins Writers Tim Travers Hawkins Mark Monroe Stars Kyle Behm Roland Behm Lydia X.Z. During this time, prominent French philosopher Monique Wittig emerged as one of the few women who questioned gender and gender roles, writing an infamous essay entitled, “One is Not Born a Woman.”īergman’s film reflects all this and more. Exploring the unexpected origins of America's obsession with personality testing, this documentary takes a look at the profound ways that ideas about personality have formed the world around us. They could embrace their sexualities, fight against the status quo and talk about things like abortion. The absence of a female voice in abstract concepts and philosophy dominates the majority of history, until the women’s liberation movement began in the 1960s, when women truly upturned their roles in society. There is no mention of women in the theory. For example, we have likely read about Plato’s allegory of the cave, in which a man escapes a cave and undergoes a revelation about the real world. Since the film has such themes, it is certainly unconventional that two women were cast as the central figures of the film, as most Western philosophy on attaining consciousness involves only men and disregards females completely. These themes are enshrouded in the ambience of Bergman’s close-up focus on faces, in addition to a few disturbing shots of symbolic stock footage he intersperses throughout (such as a shot of a nail hammered into someone’s palm). Underneath this complex plot, the film carries the heavy weight of themes like personality, duality and self-discovery. Agatha Christie, Mystique, Nine Out Of Ten, Ingmar Bergman, Cinema Art. The two form a peculiar bond and even behave violently toward each other when Alma discovers Elisabeth was not who she claimed to be. Persona (1966, Ingmar Bergman) / Cinematography by Sven Nykvist Movie Scenes. There are scenes in which the viewer can hardly tell if the person on screen is Alma or Elisabeth, due to their similar facial features. When Alma begins to take care of Elisabeth, she grows increasingly uneasy, as it becomes difficult to distinguish herself from Elisabeth. Persona centers around Alma, a nurse, and her patient, Elisabeth (an actress who suddenly loses her voice). The psychological screenplay continues to plague analysts today. Released in 1966, an era when women were finding a new platform to raise their voices in the U.S., Bergman’s film explores the relationship between two women. Amongst the canon movie classics like Citizen Kane, Casablanca and Psycho lies a particularly odd gem: Ingmar Bergman’s female-oriented film Persona.
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